Ten Thoughts on Victory Through Air Power

Victory Through Air Power (1943) is an odd film. It’s the first example of wartime propaganda produced by Disney. I had never seen it before – hadn’t even heard of it until I was deciding which movies I was going to watch for this series of posts. Apart from the opening sequence, it wasn’t ever shown on TV and it wasn’t released on home video until 2004, so it’s fairly unknown, despite it being only the eighth Disney feature. It really is blatant, unashamed propaganda – it’s based on the book of the same name by Major Alexander P. de Seversky, who appears in the film in the live action sequences giving a lecture to the American people and, most particularly, to military and government leaders, about the necessity of increasing America’s commitment to develop long-range bombing and of building a better fleet of long-range bombers. That’s it. That’s what the whole movie’s about. Like I said, it’s an odd film.

  1. The opening sequence, “History of Aviation,” is the only part of the film that was occasionally shown over the years since this film’s release, since it stands on its own and isn’t quite as propaganda-y as the rest. It’s a cartoon telling us – well, the history of aviation. And it’s very cartoony – although the narration is straightforward, there’s a lot of humor in the animation. You could replace Orville Wright with Goofy and I’d believe it’s another installment in his “How To” series. Overall, this segment is pretty awesome. It’s entertaining and even educational.
  2. There’s a close-up on a newspaper. The headline we’re meant to see says, “U.S. War Dept. Plans Air Corps,” but the headline beneath that reads “Rich Filipino Brings Natives Here.” I think I’d rather watch that cartoon.
  3. According to “History of Aviation”, pilots in the first world war were quite polite to each other at first, even friendly. The very first dog fight began when a French pilot snapped a picture of his German counterpart as their planes were passing, but when the French pilot developed the film, the German pilot was making a nasty face at him. So the next time they passed the French pilot threw a brick at him. I am beginning to doubt the historical accuracy of this cartoon.
  4. Into the first live action sequence, and Seversky is wasting no time. He starts right off with the great risk America is at of being bombed by the Germans. This was released just a few months after Pearl Harbor, by the way. The filmmakers know how to play to the fears of their audience – essential for any good piece of propaganda. And this is pretty effective propaganda. It’s very clear and persuasive. There’s an interesting segment about how Germany’s dominance of the air led to their successful invasions of France and Norway.
  5. The music is amazing. The orchestral score keeps dropping in bits from “La Marseillaise,” “Rue Brittania,” and “America the Beautiful” (to name just a few) whenever we’re meant to get teary about those songs’ respective countries. It works. (The film was nominated for an Oscar for Best Score.)
  6. Hey, that silhouette of a WWII tank kind of looks like a Dalek! Oh…wait…I probably have that backwards…
  7. This may come as a shock, but the segment on the importance and logistics of supply lines is a little dull.
  8. There are a lot of impressive, effective images in this movie. A champagne bottle smashes against a supply ship, launching it. Cut to: a torpedo hits the ship in the exact same spot, sinking it.
  9. There’s a symbolic bit where a circle with a swastika at the center, representing the German front, is besieged on multiple sides by arrows, representing the Allied forces, trying to burst through the circle to reach the war machine factories at the center, when one of the hypothetical long-range bombers flies straight through and drops a bomb which explodes in the center and then all the arrows which couldn’t puncture the circle scatter in all directions. It reminds me so much of a cartoon from a high school health class about a bunch of sperm trying to fertilize an egg. (Minus the swastika, hopefully.)
  10. The movie ends with some severe war porn – animated shots of American planes bombing the hell out of Japan, the entire country’s infrastructure destroyed. There are no people shown but it’s really quite disturbing. While I’m sure it was meant to inspire the people of 1943 who had just endured such a frightening sneak attack on American soil, today the delight we’re meant to take in the destruction of our enemies is rather chilling. But then there’s a giant eagle and it’s fighting an evil octopus, and the eagle kills the octopus which releases the daggers it had been plunging into the Pacific islands with its tentacles and then the eagle lands on a post and turns to gold and the post is a flagpole and the American flag is waving and The End. What the hell did I just watch?

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Posted by Brian in Pointless Babblings, Ten Thoughts, 0 comments

Ten Thoughts on Saludos Amigos

Saludos Amigos (1942) was Disney’s first “package film” – a feature made up of individual shorts. I had never seen this movie before – I had never even heard of it. Which, as it turns out, is kind of a shame…

  1. There are four animated shorts in this movie, linked by a live-action travelogue about Disney artists touring South America for inspiration. They were actually on a goodwill tour commissioned by the State Department to counter some of the influence of Nazi Germany on Latin American countries, because Disney cartoons were very popular there. That last part isn’t mentioned in the movie, which is a shame because it’s kind of bad-ass. Walt Disney vs. the Nazis. That’s a bio-pic waiting to happen.
  2. The first short shows us Donald Duck visiting Lake Titicaca and the nearby town, and everything is quaint and exotic and primitive and hoo boy is it 1942. It’s funny, though. I mean, it’s Donald Duck getting mad and there’s a snooty llama. How can it not be funny?
  3. The second short is Pedro, about a baby plane on his first flight, picking up the mail from Mendoza, Argentina, and bringing it home to Santiago, Chile. It’s adorable. Who’s a cute widdle baby plane? You are, Pedro! Yes, you are!
  4. The animators keep forgetting that Pedro is carrying the mail bag. It vanishes and reappears from scene to scene. Seeing as how the whole cartoon is about Pedro delivering the mail, that’s kind of an important plot element to neglect to draw.
  5. A lot of the non-anthropomorphic animals in Disney shorts act as either the straight man or the antagonist to the main character. In the third short, El Gaucho Goofy, Goofy’s horse is just as ridiculous as he is, and it works very well.
  6. El Gaucho Goofy ends with Goofy saying “Hasta la vista” and for a second I forget what year it is and I’m sure he’s going to end it with “baby” but then he doesn’t. Obviously.
  7. There are live action shots of the carnival in Rio, and there’s not a single drag queen to be seen. I don’t care if it is 1942, I don’t buy it.
  8. The final short is Aquarela de Brasil (Watercolor of Brazil) and it’s gorgeous, particularly the opening sequence where a paint brush creates the Brazilian rain forest. Even though they’re twenty years apart, and one is Latin American themed and the other Polynesian, I was reminded of the Enchanted Tiki Room – I wonder if there was some inspiration drawn from here. This short marks the first appearance ever of José Carioca, the cigar smoking parrot. José would go on to be hugely popular in Brazil, starring in his own series of Disney comics. He likes to get boozy, so I’m a fan.
  9. Blink and you miss it, but just before the last sequence the paint brush drains the bottle of cachaça that Donald just got hammered on and uses the strong alcoholic liquid as its paint for the final samba scene. Brilliant.
  10. If you can put up the theme park history tour, the shorts in this flick are pretty great. Don’t expect a movie, expect a couple of fun cartoons. It’s worth a watch.

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Posted by Brian in Pointless Babblings, Ten Thoughts, 0 comments

Ten Thoughts on Bambi

Bambi (1942) was supposed to be Disney’s second film, the follow up to Snow White, but the source material was considered too adult and so the project was put on hold for several years. I saw Bambi once before, but I was older and it didn’t have quite the traumatizing effect on me that it seemed to have had for so many others. I still think it’s kind of messed up, though (but I’ll get to that).

  1. The shots of the forest are great – the layering of the animation cels creates a three-dimensional look that’s almost jarring after the relative flatness of Dumbo. But we already saw this two years ago, in The Reluctant Dragon, where we saw a scene from Bambi being assembled. These movies sure do take a long time to make…
  2. You will never convince me that the squirrel and the chipmunk aren’t post-coital. The way the chipmunk is curled up asleep under the squirrel’s tail. The way they’re both yawning and smiling so sleepy and contended – they’re practically glowing. We’re not even four minutes in and I’m beginning to see why the source material was considered too adult.
  3. Bambi’s got gay face.
  4. So what the hell is the back story with Bambi’s absentee dad? All the other animal families are looking pretty anthropomorphically nuclear, so why does Bambi Senior keep his distance from his kid and his baby momma? She should bring him on Maury and get a paternity test. Make that stag pay some support.
  5. This movie has probably the least plot of any of the Disney movies so far, and that’s saying something. Sure are a lot of cute baby animals, though. Every time Thumper talks I clench my fists under my chin and open my eyes real wide like I’m a character in a manga.
  6. The scenes of Bambi having difficulty walking are animated so well I’m sure one of his legs is going to snap.
  7. “That’s all right. He can call me a flower if he wants to. I don’t mind.” We never learn what Flower the skunk’s real name was – forever after, he’s Flower. He is obviously crushing hard on Bambi, and i can totally identify – I’ve met plenty of guys I was willing to reinvent myself for. “Call me whatever you want, just call me!” Reclaim your name, Flower, and with it your dignity. These things never end well. Trust me. I once spent a whole date pretending I wrote crossword puzzles. I didn’t even get dessert out of it.
  8. So wait, Bambi’s dad is known as the Great Prince of the Forest just because he’s survived longer than all the other stags? That’s all it takes? The owl looks pretty old, how come he doesn’t get a title? He restrains himself from eating all the cute little chipmunks and bunny rabbits, I think that’s worthy of more respect than just being good at hiding and running and blending in with tree branches.
  9. Forty minutes of idyllic pastoral tranquility and unbounded animal cuteness and then DEATH DEATH DEATH
  10. “Come…my son.” Was that supposed to be a surprise? I think we all figured it out when you were standing on the rock acting all cool after Bambi was born. I think even Bambi figured it out before now and he’s slower than a snail on pot. So Bambi goes off with his dad to grow up and learn to not be such a nancy boy and he comes back and proves his manliness – stagliness? – by defeating his rival for Faline’s affections (Is this our first implied threat of rape in a Disney film? Does kissing an unconscious woman count?) and the hunting dogs and a forest fire, and the movie ends with his kids being born and him up on that same damn distant rock with his dad. Faline will be left doing all the work while he goes off to bro off with his pops and get revered by all the forest animals as the Great Prince of Not Dead Yet. Bambi is a wonderful movie but it’s sure got some weird ideas about parenting.

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Posted by Brian in Pointless Babblings, Ten Thoughts, 0 comments

Ten Thoughts on Dumbo

Dumbo (1941) was made on the cheap. It’s the fifth full-length Disney feature, and was intended to recoup the money lost by Pinocchio and Fantasia. It worked – Dumbo was the first Disney film since Snow White to turn a profit on its initial release. But who cares about that? What did I think of it? That’s what matters!

  1. I know I saw Dumbo at some point in my childhood, but I didn’t remember it very well. I was surprised, when I fired it up, by how short it is – it runs just over an hour. My attention span is as bad as yours (I’m assuming – I mean, you’re on Tumblr, how good could it be), so I was sort of relieved. I don’t have the endurance for another Fantasia just yet.
  2. Did parents every actually convince their kids that they were brought by the stork? I don’t mean did the kids believe it – kids are amusingly credulous, as I learned after telling my nephew that if he had to go to the bathroom during a Bingo game at the town rec center he should call out ‘Bingo!’ and everyone would stop and wait – I mean was the stork legend a Santa Claus/Tooth Fairy kind of deal, or just a thing they said to put off talking about sex? Anyway, it’s helpful of the circus to label all the roofs of their tents and buildings so the storks can find them. Also, that’s a WHOLE lot of babies being delivered all at once to a bunch of animals with very different gestation periods. Is there a circus employee whose sole job is to tell the animals when they can have sex so that they’ll all give birth on the same night? I want that job.
  3. Hooray! Time for lemonade and crackerjack, Casey Junior’s back! Casey Junior’s back! Casey Junior, the circus train, is my favorite character in this movie, mostly because of his awesome theme song. The music in this movie is great (I know, it’s a shocker, good music in a Disney movie), and I’m happy to hear Casey’s theme again after The Reluctant Dragon. (I’m pretending I watched the movies in order. Just humor me.) YOU CAN DO IT CASEY CLIMB THAT MOUNTAIN I LOVE YOU CASEY COME AND TAKE ME AWAY TO THE CIRCUS
  4. The stork delivering Dumbo looks like he should be eating a Vlasic pickle.
  5. “Jumbo? You mean…Dumbo!” The elephant who thinks up the nickname is sooooo pleased with herself. She’s such a Heather. I keep expecting the elephant ladies to burst into “Pick-a-Little, Talk-a-Little.”
  6. “Song of the Roustabouts” is pretty darn great, too.
  7. Oh, sure. A woman shows a little agency and suddenly it’s all, “Mad elephant!”
  8. I’m not so sure that a half-empty bottle of champagne, diluted in a barrel of water, would be enough to get even a baby elephant drunk, but I’ll go with it because I love that the drunk scene is so crucial to the plot of Dumbo that it can’t be edited out. And the “Pink Elephants on Parade” number is so entertainingly disturbing that I’ll even overlook the fact that Dumbo drinks straight through his trunk, like it’s a straw. Ew. But yeah, that walking bipedal elephant, made entirely of elephant heads – that is the stuff of nightmares.
  9. Oh, man, the crows. Yeah, they have a lot of positive characteristics, yeah, all but the main one were actually voiced by African-Americans, yeah, the song is fun, yeah, there are way worse depictions from this time, yeah, yeah, yeah, but come on. They’re CROWS. Their leader is named JIM CROW. Please don’t pretend there ain’t hella racism going on here.
  10. And he flies and saves himself and exacts his terrible, terrible revenge on everyone who wronged him. Basically. And they lived happily ever after! That wrapped up quickly. Dumbo is a delight. Like most of the Disney flicks of this period it’s almost more a collection of stories than a film with one cohesive plot, but it’s completely charming. I love it.

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Posted by Brian in Pointless Babblings, Ten Thoughts, 0 comments