doctor who

Who, Me Patreon Bonus: It’s a Square World sketch (1963)

For Patreon backers only, I’ve got a look at the first ever Doctor Who parody sketch, from 1963’s comedy show It’s a Square World. Going forward, my posts on every episode will continue to be free, readable either here or on Patreon, but I’ll also be doing bonus posts on other aspects of the world of Doctor Who, including parodies, spin-offs, movies, merchandise, books, comics and more. If you’re interested, you’ll can get access to everything for as little as a dollar a month. (Tip: DON’T sign up via Apple’s Patreon app – they charge extra! Go to Patreon directly in a browser.)

And if you have a Patreon account but don’t want to commit to backing, you can still sign up to follow me for free and get all my regular posts emailed right to you.

Check out “Who, Me” on Patreon!

A man with a microphone interviews a man dressed as the first Doctor.
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Who, Me: The Survivors (The Daleks 2) (1963)

The Doctor and Ian, in a shadowy room, examine a piece of scientific equipment. Ian looks concerned.


There’s an interesting exchange between Ian and the Doctor early in “The Survivors”. They haven’t met the Daleks yet, but they’ve been exploring their city and have found a laboratory containing advanced scientific equipment. (The only item they identify is a Geiger counter, which isn’t all that advanced, but presumably the other, unnamed stuff is more impressive.) Anyway, here are their thoughts on the people of this city:

IAN: Hard to imagine what sort of people these are.
DOCTOR: They’re intelligent, anyway. Very intelligent.
IAN: Yes, but how do they use their intelligence? What form does it take?
DOCTOR: Oh, as if that matters. What these instruments tell us is that we’re in the midst of a very, very advanced civilised society.

Ian’s questions are valid, and he’s right to be concerned. In writing The Daleks, Terry Nation was influenced by threats from the recent past – the genocidal policies of the Nazis – and from a possible near future – an atomic war. It’s not surprising that Ian, as a solid English citizen of 1963, would see the dangers in the advanced science of an unknown people. Being a science teacher himself would probably make him even more cautious, not less.

But the Doctor is an alien, and he’d not lived through the Blitz as Ian had, nor played civil defense films for his students, preparing them for nuclear annihilation. Moreover, as I’ve mentioned before, the Doctor is not yet the protagonist of his own show, and his role in the narrative fluctuates between an obstacle and an outright antagonist – moments after this exchange, he decides to leave the missing Barbara to die alone of radiation poisoning in order to save himself and Susan, with only the fact that he’d just handed a key component of the ship over to Ian preventing him from doing so.

So viewers in Britain in 1963 would know right away that the Doctor’s response of “as if that matters” is a red flag; that of course the way in which intelligence is used matters. Being an advanced civilised society doesn’t mean you won’t commit barbarous acts.

As a viewer in America in the early part of 2025, the Doctor’s comment strikes me in much the same way. Our current ruler, Elon Musk, and his sycophants view intelligence – specifically, the type of standardized test intelligence with racist, eugenicist undertones measured by the I.Q. test – as an inherent good, and a signifier of value and superiority. This early Doctor would likely agree, at least until he got a got a good look at what they’re up to.

A big difference between Musk et. al. and the Daleks is that the Daleks, being fictional supervillains, really are as intelligent as Musk only claims to be. There are different types of intelligence, of course – one of the points Ian is making, and which the Doctor dismisses. Musk has smarts when it comes to propaganda, and self-promotion, and strip mining businesses and governments for self-profit; he’s deeply stupid by every other measure. (Seriously. Just… listen to him talk sometime. Not a sound bite. Listen to his answer to a question, any meaningful question, in its entirety. All the ranch dressing in the world couldn’t help you choke down that word salad.)

So in the fictional world of Doctor Who, the bad guys hold themselves superior because of an intelligence that they actually possess. In the real world, the bad guys hold themselves superior because of an intelligence they believe they possess, but don’t. Either way, when dealing with Daleks or aspiring Daleks, the key is not to buy into their narrative. The Doctor will destroy his Daleks, but we can’t be the Doctor if we want to destroy ours. Not this early Doctor, at least. We’ve gotta be Ian. How do they use their intelligence? What form does it take? Understand where they’re actually smart, and where they’re actually stupid, and maybe we won’t wind up dying in a petrified radioactive ruin.

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Who, Me: The Dead Planet (The Daleks 1) (1963)

Close up on Susan’s hands. She’s holding a crushed petrified flower.


There’s a lovely scene in the middle of “The Dead Planet” where the four main characters linger by the TARDIS’ food machine. They’re settling in for the night, and Ian and Barbara are hungry. The Doctor tells them they can have anything they want, and Barbara asks for bacon and eggs. (Odd choice for dinner, but I suppose time travel throws off your inner clock somewhat.) The Doctor and Susan program the machine and out pop two little bars, which Barbara and Ian are amazed to find taste just like bacon and eggs. The Doctor, pleased by their reaction, explains how it works to an appreciative Ian. The food machine is very ’60s sci-fi and the characters are all getting along and there’s no danger. It’s nice.

Of course, the rest of the episode isn’t so nice. The Doctor has been clashing with Ian and Barbara – they’re angry he’s not prioritizing getting them home, and he’s resentful about these unwelcome passengers telling him what to do. Someone frightened Susan in the forest, and she’s upset that her grandfather doesn’t believe her. The Doctor selfishly sabotages his own ship so that they’ll be forced to visit the city he, and only he, wants to explore. The episode ends with Barbara, lost in the city and separated from the others, being threatened by something advancing towards her – a Dalek, though we won’t know its name, or how dangerous it truly is, until next episode.

Oh, and they’re all getting sick. They have radiation poisoning, but they don’t know that yet.

This is a TV show, so everything will be better in a couple of episodes. The Doctor and his friends will come together and the baddies will be sorted out. Because it’s not real life.

Early in the episode, while they’re exploring the strange dead petrified forest they’ve landed in, Susan finds a flower. It’s stone now too, like all the other vegetation, but it’s beautiful nonetheless. Ian helps her uproot it, warning her to be careful because of how fragile it is. Susan’s excited to take it back to the TARDIS, but then Barbara calls out, and Ian, distracted, crushes it in Susan’s hands. Later, Susan finds a second flower and stops to pick it up, but when she’s frightened by a mysterious hand touching her shoulder, that flower too is destroyed.

I wish we could linger by the food machine a little longer.

But flowers are being crushed, and the poison is seeping in, and the Daleks are here.

Posted by Brian in Doctor Who, 0 comments

Ranking Doctor Who – Season 4 and the First Doctor

The second Doctor and Maxtible, an older man in Victorian clothing, face off against a Dalek and the Dalek emperor.


I’m now rewatching all of Doctor Who twice at the same time – for my series of blog posts, I’m only through the first story, but for my just-for-fun watch-through, I’ve finished season four. Here are my rankings of that season with some quick thoughts. And since I’ve finished all of William Hartnell’s era, I’ve ranked all of his stories too (without quick thoughts, since I’ve already given them). See the index for previous rankings, or for my blog series. First, season four:

  1. The Evil of the Daleks – The animation really helped me on this one; I’ve found it dull when watching the reconstruction. The Daleks really live up to this story’s title here – pure malevolence.
  2. The Tenth Planet – I quite like Hartnell’s regeneration, so a sense of this story’s “historical importance” may be inflating its ranking. But I’m also a fan of original-flavor Cyberman – even without those last few moments, this one’s pretty great.
  3. The Power of the Daleks – Another where the animation raised my appraisal. I’d never agreed with fan consensus about this story’s worth, but now I get it. The Daleks’ final attack is particularly brutal.
  4. The Macra Terror – I don’t get why everyone feels the need to apologize for this story. It’s bonkers in the best way, and I loved it even before the animated version was released. Plus it’s a great story for Ben, and I love Ben.
  5. The Underwater Menace – I do love when Doctor Who loses its mind. Like The Macra Terror, this one is certifiably bananas. I adore it.
  6. The Faceless Ones – Drags a bit in the middle, and Ben and Polly being dumped after two episodes is unforgivable. But the ideas are really out there, and I like the ambition of it.
  7. The Moonbase – Another that drags, and at only four episodes, there’s no excuse for that. But it’s a great showcase for Polly, another of my fave companions.
  8. The Highlanders – Not a bad story by any means, and once again a great story for Polly. But I’m not a big fan of the pure historicals, and my attention wandered.
  9. The Smugglers – Maybe an animation (or, dare to dream, the original episodes turning up) would raise my estimation, but I always find this a difficult watch. Hartnell gives a great performance, though, despite what we know now about his declining health at the time.

And a recap of the First Doctor era:

  1. The Daleks
  2. An Unearthly Child
  3. The Dalek Invasion of Earth
  4. Marco Polo
  5. The Daleks’ Master Plan
  6. The Tenth Planet
  7. The Chase
  8. The Time Meddler
  9. The Keys of Marinus
  10. The Edge of Destruction
  11. The Aztecs
  12. Galaxy 4
  13. The Web Planet
  14. The Celestial Toymaker
  15. The Rescue
  16. The Savages
  17. The Myth Makers
  18. The Massacre
  19. Planet of Giants
  20. The Space Museum
  21. The War Machines
  22. The Crusade
  23. The Ark
  24. The Reign of Terror
  25. The Sensorites
  26. The Romans
  27. Mission to the Unknown
  28. The Smugglers
  29. The Gunfighters
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Who, Me: The Firemaker (An Unearthly Child 4) (1963)

In a cave, Ian, Barbara, Susan and the Doctor sit huddled around a fire. Za, a caveman, stands over them, looking forlorn. They ignore him.


I wrote last time about empathy, and how it’s not yet a core element of the Doctor’s character. Rewatching “The Firemaker,” the final episode of An Unearthly Child, I’m struck by how much writer Anthony Coburn has centered the idea of empathy throughout the whole story, with the theme coming to a head in its conclusion. It’s not just the Doctor who has to learn how to show compassion for strangers in this story; it’s all of humanity.

We have to take Coburn’s views on prehistoric humans with a big grain of salt, I think. Call me a cockeyed optimist, but I like to believe, recent world events notwithstanding, that empathy for strangers has always been an integral part of humanity, and, for most, it takes a strong motivating factor (fear, desperation, end-stage capitalism) to override it. But in the world of Doctor Who circa 100,000 BC, it’s every tribe for themselves, and even within the tribe, empathy isn’t a given. When Ian tells Hur he’s a friend, she thinks that’s his name, because the word doesn’t exist in their language. Assuming the tribe isn’t speaking English, which would be pretty unusual, we jump ahead thirteen seasons to The Masque of Mandragora and return with the idea that the TARDIS is mentally translating the tribe’s actual language. This suggests that they don’t just not have a word for “friend;” they don’t even have the concept.

Last episode, Barbara, Ian, and Susan helped Za survive a beast’s attack, to Hur’s utter bewilderment. When Hur tells Za what they did while he was unconscious, her face is a mask of confusion. She doesn’t understand why they didn’t kill him; the closest she can come to describing their behavior is analogizing it to a mother with her baby. In this episode, the Doctor and crew go even further in helping Za. The Doctor proves Za’s innocence in the murder of the old woman and encourages the tribe to drive Kal out, firming up Za’s claim on leadership. Ian shows Za how to make fire, further solidifying the caveman’s position.

Of course, the TARDIS team aren’t doing all this out of empathy. They saved Za’s life because of their compassion, yes, but everything after that is just bargaining. They help Za because they hope he’ll let them free in return. He doesn’t, of course, but the way in which he refuses them is what’s so interesting. The actor who plays Za, Derek Newark, does an incredible job making the most of the minimal dialogue Coburn’s script allows him. Za wants to keep the travelers, merging their tribe with his, but he never really gives a reason. It’s possible he wants to see if they have more secrets as powerful as fire to share, but he never says this. He justifies his imprisonment of them by saying there’s nowhere better they could go, but he doesn’t sound like he quite believes it. He makes sure they have food and water, checks to be sure no one has hurt them, reassures them that they’ll be better off with his tribe. All the while, Newark conveys how strongly Za feels… something for these newcomers, a want for them not to be angry with him, a need to keep them close. An emotion he feels strongly without understanding what it is or why he feels it.

In Za’s utilitarianist society, the right thing to do would be to kill them, and no one in his tribe would bat an eye. He has what he needed from them; now they’re just four more mouths to feed. But Za’s been infected with their empathy.

In the Moffat era, many years from now, we’ll get the idea that the word “doctor” comes from the Doctor himself; that his compassion seeded the idea of a healer, a helper, a thinker, throughout time and space. I think Coburn is suggesting something similar, but subtler, here. (And I love Moffat, but it’s not hard to be subtler.) The Doctor is responsible for seeding empathy in the human race, at the same time as he was learning it from his new, unwilling companions.

Of course, a few minutes later, after they escape and are fleeing back to the TARDIS, Barbara trips and the Doctor almost tramples her running past in his mad dash to safety. So he hasn’t fully learned empathy yet. But he’s got time.

Posted by Brian in Doctor Who, 0 comments